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It was not very long before the eleven sail of the line with their attendant frigates were swelling large, bristling, and close to the Aurora, at whose signal halliards stood two sailors who dipped to such battle-ships as the schooner passed receiving the acknowledgment of small ensigns gaff-ended, and then hauled down to be hoisted no more. The picture was full of a grandeur that borrowed majesty from the sense of the power and the empire[Pg 397] the ships symbolised. They were lordly in slow motion; they bowed to the swell as though in lofty homage to their mistress the sea; they were terrible in triple rows of cannon and by virtue of the traditional magnificent spirit, silent and concealed behind their lofty and invincible defences. It was the breakfast hour, but the people aboard the Aurora were very willing to wait to break their fast. Not a man but was fascinated by the sight and presence of that tall, majestic ship out there, with the little flag at the fore. For Nelson—the Nelson of the North, of Aboukir Bay, of Teneriffe, of St Vincent, the Nelson of a hundred wounds, the first of all sea chieftains in the history of the world, Nelson, the truest sailor, the kindest shipmate, the man of the purest and loftiest spirit of chivalry and patriotism that ever stepped the planks of a ship's decks—this great, this sublime hero, to be even greater and sublimer in his victorious and immortal death a few months later—Nelson was in her!,

"Can you explain, Captain Weaver," interrupted Miss Acton, whose irrelevancy was feminine, and whose question was based on her desire to hear something that she could understand, for the talk now as it ran was beyond her—"how it was that Miss Lucy Acton, who is one of the best known ladies who reside in these parts, should pass along the wharves and go on board the Minorca to be made a prisoner of and sailed away with, without anybody seeing her—without anybody being able to say that he saw a young female pass along? Even if he could describe her dress without knowing who she was, we should have been able to conclude that Mr Lawrence[Pg 230] had lured her on board: for we never could have supposed that she would have gone to him without his being guilty of some base stratagem to inveigle her.",

"You'll admit, sir, that my failure to obtain employment has not been due to neglect in searching for it.",

Mr Lawrence, with a ridiculing smile, said: "What do you know about waiting on people in the cabins of ships?"

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"That's all right fer you, Bill," returned Walter, "but what's goin' t' happen t' Maurice an' me, supposin' that ghost takes a notion to gallop this way? That's what I want'a know!",

"Did ye iver hear av Harry O'Dule goin' back on a promise?" said the old man, reproachfully. "Help you wull I shurely, an' I'll be tellin' ye how. Go ye over t' the corner, Billy, an' pull up the loose board av the flure. Ye'll be findin' a box there. Yis, that's right. Now fetch ut here. Look ye both, byes.",

"What did you have t' give him?",

Lucy had related much, but she had much more to tell, and she narrated to her father fresh stories of her madness, and drew several graphic pictures of Mr Lawrence whilst he laboured under the various sensations her genius as an untutored artist excited. She spoke with contempt of Mr Eagle, whilst she had little or nothing to say about Mr Pledge. Her narratives were marked by a strong leaning in favour of Mr Lawrence. Her father could not mistake. Her prejudice, indeed her fondness, was expressed not so much in her admirable recitals and her references to the dignified and gentlemanly manner with which Mr Lawrence had treated her, with which he had received her aggravating, indeed her venomous, references to his past and present conduct, as in the pause, the soft, thoughtful smile, the brief exclamation, the sigh, and[Pg 408] now and again the little but significant remark.